Jan 27, 2018 Don’t forget to select this folder and click “save” as this is where you’re telling FL Studio to export your stems. The Final Part. Finally, this window will pop up, all you need to is select “Split mixer tracks”. You can also copy the same settings I have used here as well. In FL Studio 20, there are more options than ever to convert to audio. Solo your midi and hit CTRL+ R to Export to WAV Click the white dot, disk recording icon, on your FX insert your channel is linked to, which will turn the dot red, and hit ALT+R to render to WAV. Varying Export and Real-time Output. There can be several causes for exported audio output varying from real-time audio playback in FL Studio. Some of the most important and easily overlooked reasons include: Media Player & Soundcard Settings.
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Congratulations, you made it.
Your mix is done and your song is officially finished. But how do you get it out of your DAW and into the world?
There’s one more hurdle to pass. It’s the last important step in your DAW: The bounce dialog.
In this article I’ll go through everything you need to know about bouncing and how to export audio properly in 5 of the best DAWs.
What is bouncing audio?
Bouncing (or exporting) is how your DAW turns your project into files on your hard drive.
The term bouncing comes from the analog era. The track count is a hard limit on tape machines.
But engineers and music producers could use their consoles to mix several tracks down to one to free up more recording.
The process was called “bouncing down.” The drawback was that the level of each of track would no longer be independent on the printed track.
But today, bouncing usually means writing the final mix of your song to a stereo audio file. It can also mean printing stems of all the instruments in your mix or exporting individual tracks for collaborative projects as well.
No matter how you bounce your project, you’ll have to know how to use your DAW’s bounce dialog to output your files properly.
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The best export settings for mastering
You have to choose the right settings to make sure your bounce is ready for mastering.
No matter which DAW you’re using, here’s what you need to know.
Resolution
Don’t export your song to a lower resolution than the one you’re using in your project. If you choose a lower resolution, your DAW will have to convert your exported file to the target sample rate and bit depth.
Stick with what you have or choose 32-bit floating point if it’s an option.
The reason why has to do with…
Dither
Dither is a pretty technical subject. But when it comes to your tracks, all you need to know is when to apply it. Here’s our guidelines:
- Don’t change file types unless you absolutely have to. If for some reason you need to downsample, be sure to dither during conversion.
- Save dithering for when your files are headed outside of your DAW. Dither only once—during export.
- If you’re sending your files for mastering, leave dithering out if you can export 32-bit float files. In this case, the mastering process will take care of dither for you. When you export anything other than 32-bit float, you have to dither. That includes when you bounce files that are the same bit-depth as the ones you recorded.
Hot tip: Your DAW may have the option to create AIFF or WAV files while recording. Both are lossless formats, so there’s no sound quality difference between the two. These formats are best for uploading during the mastering step. So stick with these formats for your bounces as well.
Normalize
Make sure to NOT normalize the files you export for mastering. Normalizing will increase the gain of your file a lot—not what you want for keeping good headroom for mastering.
Channel Width
Make sure to select interleaved if you want a traditional stereo bounce file.
Use multiple mono if you’re exporting tracks one by one.
Offline vs. Realtime Bounce
![Best Fl Studio Wav Export Settings Best Fl Studio Wav Export Settings](https://www.image-line.com/fl-studio-learning/fl-studio-online-manual/html/img_shot/fformats_wavmidimp3.jpg)
Realtime bounce writes the audio file to disk at the same speed as playback in the DAW. This method is slow but safe and reliable.
Offline bounce renders the export file much faster than real time. This can save you a lot of time, especially if you need to bounce many tracks individually.
In some cases, offline bouncing may cause issues with CPU heavy plugins or intricate automation. If you’re worried about offline mode having an effect, stick with realtime.
In some cases, offline bouncing may cause issues with CPU heavy plugins or intricate automation. If you’re worried about offline mode having an effect, stick with realtime.
Now that you know the basics here’s how to bounce your audio from your DAW.
Bouncing in Logic
How to bounce in Logic Pro X
- Open the bounce dialog by selecting File > Bounce > Project or or by using the key command ⌘B on Mac or CTL+B on Windows.
- Select the export range by selecting regions, turning on cycle mode and setting the locator positions, or entering the Start and End Values.
- Choose whether to bounce in realtime or offline mode.
- Make sure your settings are correct for mastering.
- Click “Bounce” to begin your export.
Exporting audio in Ableton Live
How to bounce in Ableton Live
- Open the export dialog by selecting “Export Audio/Video” in the File menu or using the key command ⇧⌘R on Mac or CTL+ALT+R on Windows.
- Select the bounce source using the “Rendered Track” dropdown. Choose “Master” if you want to make a stereo bounce of your mix.
- Select the export range by selecting clips, setting the boundaries of the loop brace or keying in the “Render Start” and “Render Length” bar/beat values.
- Make sure your settings are correct for mastering.
- Click “Export.”
Bouncing in Pro Tools
How to bounce in Pro Tools:
- Open the bounce dialog by selecting File > Bounce to > Disk, or using the key command ⌥⌘B on Mac or CTL+ALT+B on Windows.
- Select the bounce source.
- Select the range you’d like to bounce on the timeline.
- Make sure your settings are correct for mastering.
- Choose whether to bounce offline or in realtime with the checkbox at the bottom left.
- Click “Bounce.”
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Export in FL Studio
How to export in FL Studio:
- Open the export dialog by selecting File > Export > Wave File or by using the key command ⌘R on Mac or CTL+R on Windows.
- Select the export file destination.
- Make sure your settings are correct for mastering.
- Click “Start” to begin bouncing.
Bounce Better. Bounce often.
Exporting your tracks is the last thing you do in your DAW before mastering. Don’t let anything fall through the cracks right before the finish line!
Make sure you choose the correct options to export your tracks for mastering and make friends with the bounce dialog in your DAW.
Now that we’ve bounced some ideas off you, get back to your DAW and get your tracks ready to master.
So you've mixed your latest production and it's time to master it? While mastering engineers are often the best option, if you want to master your own tracks in FL Studio here's 8 essential tips.
1—Cut Your Lows for Headroom
Try adding a low cut and cut everything below 40 Hz. This cuts out any inaudible frequencies that the human ear can’t hear and take up valuable headroom in the mix. So add a Fruity Parametric EQ 2 and then apply a low cut.
2—Use a Multiband Compressor
You have two multiband compressor options in FL Studio. The Fruity Multiband Compressor, or Maximus. I would recommend using Maximus as its features are more advanced. How Maximus works is that you have three bands (Low, Mid, High) where you can set the frequency range for each, and then also a single band master compressor on the effect. This gives you added control over your audio through the frequency range, plus you can gel the bands together with the single band master compressor.
For example, you could apply a heavier compression setting over the 0–200 Hz region where you bass and kick usually sit, and this won’t affect elements in the higher registers like the cymbals and hats. So decide where you want the band splits to be by soloing each band and then moving over to the right view to adjust the frequency amount.
And then you can see the result of the compression on each band by switching to the monitor view. So tailor the amount of gain for each band, plus the Attack and release times. What I find really cool is that you can even draw in unique threshold curves in the graph. It’s actually very easy setting the threshold this way on the graph.
Mad max pc mods. I like to apply a harder compression on the Low band and increase this slightly. Then I apply slightly less compression to the Mid band. And then for the High band, I don't apply compression, just gain for a bit more high-end detail in the track.
With the Master band, you use this as a single band compressor to gel all the bands together. Just apply a subtle compression here to help even out the compression on the track.
3—Adding in Saturation
With Maximus, you can also add in some slight saturation per band, also known as harmonic exciting. With the threshold, you have two modes: Mode A or Mode B: and you can choose what percentage of the mode you want to add by moving the dial left or right from the center. With the ceiling dial, when you start decreasing this you’ll hear it imparts the saturation on the band.
4—How About Another EQ
Fl Studio Export Midi
After the multiband compression, you might want to make some EQ adjustments. If so, then add another Fruity Parametric EQ2. I sometimes find a slightly high EQ boost can help bring back some of the high-end detail that got removed through the compression. But this isn’t always necessary. So only use this if you find you need to do some EQ adjustments after the compression.
5—Some Reverb
What also helps to gel the elements together and give your track a sense of a space that it belongs in is to add some reverb. You can either use the algorithmic Fruity Reeverb2, or the convolution Fruity Convolver reverb if you want to use a real space. Less is more here. Too much and the song will become muddy. So drop the Wet dial to about 10% or less.
6—Hard Limiter
The last effect to add to your mastering chain is the Fruity Limiter. This will maximize the perceived volume of the whole mix, plus help prevent any clipping on your master output. Set the output to -0.1dB to stop it from going over 0 dB, and then increase the Gain to maximize the overall perceived level of your song.
7—Mixer States
What’s great about FL Studio is that you can save different Mixer states, and re-use them in other songs. So, for example, let’s say you’re mixing a whole album and want to apply the same mastering settings across the album, then you can use this technique. What you do is you go to the drop-down arrow on the top left of the Mixer window, then go to File > Open > Save Mixer State as…
Then when you go to a different song, you can navigate to the same menu and choose open Mixer state. This loads your master output state to the new song. You can also drag and drop these presets from the browser onto the master output channel.
8—Dither and Export
When you’re happy with your mastering, make sure to apply dither to your exported song Go to File > Export. Choose your format. Probably the best is to choose a lossless format such as WAV. Then give the file a name and click save. A Rendering dialog box will launch. Expand the quality section, and make sure to enable Dithering and HQ (High Quality) for all plugins to get the best audio results.
Conclusion
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Those are a few handy techniques to use to get the best out of mastering your songs in FL Studio. Try them out in your next mastering sessions.